Contact

(847) 363-2088
[email protected]

Instagram

Happy Mother’s Day to the greatest • @kodak Vericolor III 160 manufacturered the year I was born • Mamiya RB67 . . . #film #photography #filmisnotdead #filmphotography #golf #mom
dirt_mangurt
dirt_mangurt
•
Follow
Happy Mother’s Day to the greatest • @kodak Vericolor III 160 manufacturered the year I was born • Mamiya RB67 . . . #film #photography #filmisnotdead #filmphotography #golf #mom
2 weeks ago
View on Instagram |
1/6
“I’m on a boat and… it’s going fast and… I’ve got a nautical themed pashmina afghan” • @kodak Portra 160 • • • #boat #valentines #valentinesday #catalinaisland #catalinawinemixer #prestigeworldwide #beanie #burton #kodak #film #photography #island
“I’m on a boat and… it’s going fast and… I’ve got a nautical themed pashmina afghan” • @kodak Portra 160 • • • #boat #valentines #valentinesday #catalinaisland #catalinawinemixer #prestigeworldwide #beanie #burton #kodak #film #photography #island
“I’m on a boat and… it’s going fast and… I’ve got a nautical themed pashmina afghan” • @kodak Portra 160 • • • #boat #valentines #valentinesday #catalinaisland #catalinawinemixer #prestigeworldwide #beanie #burton #kodak #film #photography #island
dirt_mangurt
dirt_mangurt
•
Follow
“I’m on a boat and… it’s going fast and… I’ve got a nautical themed pashmina afghan” • @kodak Portra 160 • • • #boat #valentines #valentinesday #catalinaisland #catalinawinemixer #prestigeworldwide #beanie #burton #kodak #film #photography #island
3 months ago
View on Instagram |
2/6
“A Kyle in the Wild” • Kodak VeriColor III 160, manufactured 1990 • Mamiya RB67 • • • • #film #filmphotography #filmisnotdead #photography #expiredfilm #expiredfilmgallery #mediumformat #portraitphotography #portrait
dirt_mangurt
dirt_mangurt
•
Follow
“A Kyle in the Wild” • Kodak VeriColor III 160, manufactured 1990 • Mamiya RB67 • • • • #film #filmphotography #filmisnotdead #photography #expiredfilm #expiredfilmgallery #mediumformat #portraitphotography #portrait
4 months ago
View on Instagram |
3/6
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
dirt_mangurt
dirt_mangurt
•
Follow
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
6 months ago
View on Instagram |
4/6
“Father Time” • Kodak Vision 3 5207/250D, 10 years expired, rated at 80ASA • Arri 435ES • Atlas Orion anamorphic • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #4perf #vision3 #film #35mm #motionpicture #analogue #arri #atlas #lighting #yesfilter #realfilters #flashback #expiredfilm #anamorphic #sad #lensflare #flare #flarejunkie
dirt_mangurt
dirt_mangurt
•
Follow
“Father Time” • Kodak Vision 3 5207/250D, 10 years expired, rated at 80ASA • Arri 435ES • Atlas Orion anamorphic • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #4perf #vision3 #film #35mm #motionpicture #analogue #arri #atlas #lighting #yesfilter #realfilters #flashback #expiredfilm #anamorphic #sad #lensflare #flare #flarejunkie
9 months ago
View on Instagram |
5/6
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
dirt_mangurt
dirt_mangurt
•
Follow
Finally recovered just enough to post something about last weekend and the production of my AFI 35mm visual essay, “Father Time.” I had the tremendous pleasure of going to the brink of sanity and back with the greatest cast and crew a DP/writer/director/truck-driver could ask for! The best of friends and collaborators who kept me from breaking down repeatedly throughout the process. This is the first thing I’ve directed in 10 years. Shot on an Arriflex 435ES with Atlas Orion anamorphic lenses and 35mm Kodak film I have yet to get back from the lab so I don’t know if any of this worked. It’ll either be really cool or a colossal failure. I always say if failure isn’t likely, you’re not doing it right. If it doesn’t suck, these people are the reason why. My sincerest gratitude and a huge debt owed to you all! * Special shout out to @courtneynmarsh and @jerry.franck for giving me their big box of old junk at just the right time which saved the day more than I would’ve imagined. * Cast: @nemibrooks & @patrickrandolph2020 Director: Ferris Jackson Producer: @laze123456 Writer: Cinnamon Jewish DP: Big Scrappy PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: Eythan & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Film Lab: @fotokem_la • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #3perf #vision3 #vision2 #expression #film #35mm #motionpicture #analogue #arri #atlas #colors #lighting #timetravel #timemachine #miniatures #expiredfilm #expression #anamorphic #scifi
11 months ago
View on Instagram |
6/6

Copyright © 2021 Steven Jared Mangurten