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“The Cowboy Pecan Pie” • My AFI thesis film. I reposted from Paul in my story already but I want it to live forever on my page too. Probably the hardest, but most rewarding, film I’ve ever shot. I’m honored to have been a part of putting Paul’s powerful story on the screen. I appreciate everyone who contributed their time, talent, and resources to help make this happen. I’m lucky to be able to collaborate with such an amazing team. More content, and a real premiere, coming soon! • • • • Writer/Director: @paulcadenhead Producer: @yuchuan_xing DP: Big Scrappy 🤠🥸😎🙋‍♂️ PD: @_marianwood Editor: @benniu1992 Colorist: Ryan Moser LP: @alexoger_ UPM: @zimekis AD: @ashleybeuhler Cam Op: J Cozy, @d.zewdu, @kylehartmandp Steadi: @steadijake 1st AC: @andiobarski, @kerisa.lin, @ko_lenalee, @bluestockinchic, @bholden19, @elisasouzac 2nd AC: @sara.kinney, @eggm, @thebenwinters, @akankshashyam, @frankxudp CLT: @themoodydp, @du_guanting ACLT: @ko_lenalee KG: @lawyukhong BBG: @justinusami Swings: @yutofromjapan, @socialbilitty, @waterloo1015, @isaacytakeu Scripty: @hannahd9 Crafty Wizard: @lukebolle Technocrane from @elitecamerasupport Russian Arm / U-Crane from @filmotechnicusa Kowa Anamorphics from @old_fast_glass Special lighting gear donated by @ratpaccontrols @hivelighting @luminyslighting Everything else provided by @americanfilminstitute • • #shortfilm #western #drama #thesis #Arri #Kowa #anamorphic #mixedaspectratios #spherical #cookeoptics
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“The Cowboy Pecan Pie” • My AFI thesis film. I reposted from Paul in my story already but I want it to live forever on my page too. Probably the hardest, but most rewarding, film I’ve ever shot. I’m honored to have been a part of putting Paul’s powerful story on the screen. I appreciate everyone who contributed their time, talent, and resources to help make this happen. I’m lucky to be able to collaborate with such an amazing team. More content, and a real premiere, coming soon! • • • • Writer/Director: @paulcadenhead Producer: @yuchuan_xing DP: Big Scrappy 🤠🥸😎🙋‍♂️ PD: @_marianwood Editor: @benniu1992 Colorist: Ryan Moser LP: @alexoger_ UPM: @zimekis AD: @ashleybeuhler Cam Op: J Cozy, @d.zewdu, @kylehartmandp Steadi: @steadijake 1st AC: @andiobarski, @kerisa.lin, @ko_lenalee, @bluestockinchic, @bholden19, @elisasouzac 2nd AC: @sara.kinney, @eggm, @thebenwinters, @akankshashyam, @frankxudp CLT: @themoodydp, @du_guanting ACLT: @ko_lenalee KG: @lawyukhong BBG: @justinusami Swings: @yutofromjapan, @socialbilitty, @waterloo1015, @isaacytakeu Scripty: @hannahd9 Crafty Wizard: @lukebolle Technocrane from @elitecamerasupport Russian Arm / U-Crane from @filmotechnicusa Kowa Anamorphics from @old_fast_glass Special lighting gear donated by @ratpaccontrols @hivelighting @luminyslighting Everything else provided by @americanfilminstitute • • #shortfilm #western #drama #thesis #Arri #Kowa #anamorphic #mixedaspectratios #spherical #cookeoptics
4 months ago
View on Instagram |
1/6
Happy Mother’s Day to the greatest • @kodak Vericolor III 160 manufacturered the year I was born • Mamiya RB67 . . . #film #photography #filmisnotdead #filmphotography #golf #mom
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Happy Mother’s Day to the greatest • @kodak Vericolor III 160 manufacturered the year I was born • Mamiya RB67 . . . #film #photography #filmisnotdead #filmphotography #golf #mom
5 months ago
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2/6
“I’m on a boat and… it’s going fast and… I’ve got a nautical themed pashmina afghan” • @kodak Portra 160 • • • #boat #valentines #valentinesday #catalinaisland #catalinawinemixer #prestigeworldwide #beanie #burton #kodak #film #photography #island
“I’m on a boat and… it’s going fast and… I’ve got a nautical themed pashmina afghan” • @kodak Portra 160 • • • #boat #valentines #valentinesday #catalinaisland #catalinawinemixer #prestigeworldwide #beanie #burton #kodak #film #photography #island
“I’m on a boat and… it’s going fast and… I’ve got a nautical themed pashmina afghan” • @kodak Portra 160 • • • #boat #valentines #valentinesday #catalinaisland #catalinawinemixer #prestigeworldwide #beanie #burton #kodak #film #photography #island
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“I’m on a boat and… it’s going fast and… I’ve got a nautical themed pashmina afghan” • @kodak Portra 160 • • • #boat #valentines #valentinesday #catalinaisland #catalinawinemixer #prestigeworldwide #beanie #burton #kodak #film #photography #island
8 months ago
View on Instagram |
3/6
“A Kyle in the Wild” • Kodak VeriColor III 160, manufactured 1990 • Mamiya RB67 • • • • #film #filmphotography #filmisnotdead #photography #expiredfilm #expiredfilmgallery #mediumformat #portraitphotography #portrait
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“A Kyle in the Wild” • Kodak VeriColor III 160, manufactured 1990 • Mamiya RB67 • • • • #film #filmphotography #filmisnotdead #photography #expiredfilm #expiredfilmgallery #mediumformat #portraitphotography #portrait
8 months ago
View on Instagram |
4/6
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
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I just installed an app to repost. Does that make me an influencer? Repost from @kodak_shootfilm • "Shooting on film is exhilarating because it’s terrifying. Every shot was carefully planned and executed and at the end of the day, you only have your experience to tell you what it looks like until you get the dailies back. When I finally sat down to color this film, it was the easiest grade I ever did. The footage just looks good without any need to really manipulate anything and it just becomes incredibly clear why it’s worth shooting on film. The quality and versatility is incredible. ⠀ I really wanted to explore the idea of conveying a wild emotional arc that takes a character through excitement, joy, mystery, depression, loneliness, and isolation purely visually. I wanted to achieve that through composition as well as lighting and color. I also wanted to try to create and combine multiple time periods and visual styles. I was really excited to try pushing boundaries and see how the film stock could handle everything I wanted to throw at it." ⠀ DP, writer and director @dirt_mangurt on short "Father Time" which was shot on Vision 3 5207/250D (new and expired) & expired Vision 2 Expression 5229/500T 4-perf 35mm. The short is the eleventh in our series featuring 22 @americanfilminstitute Cinematography 2021 Visual Essays. To watch, head to conservatory.afi.com/cinematography-showcase. ⠀ CREW: Director/DP/Writer: @dirt_mangurt Producer: @laze123456 PD: @zoopstoop 1st AD: @sophiakyoussef Cam Op: @hernquist 1st AC: @ajd_90 & @eythanmaidhof 2nd AC/Loader: @eythanmaidhof & @aidanwalt Gaffer: @ryankuna Key Grip: @d.zewdu Dolly Grip: @rui_arck G&E Swing: @matthewhibbs MUA: @makeupbyelisa37 Costumes: @icysorrow UPM: @suriiijrs PA/Shaman: @paulcadenhead Cast: @nemibrooks & @patrickrandolph2020 Film Lab: @fotokem_la Atlas Lens Co. - @atlaslensco Arri - @arri ⠀ #ShotOnFilm #35mm #afi
10 months ago
View on Instagram |
5/6
“Father Time” • Kodak Vision 3 5207/250D, 10 years expired, rated at 80ASA • Arri 435ES • Atlas Orion anamorphic • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #4perf #vision3 #film #35mm #motionpicture #analogue #arri #atlas #lighting #yesfilter #realfilters #flashback #expiredfilm #anamorphic #sad #lensflare #flare #flarejunkie
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“Father Time” • Kodak Vision 3 5207/250D, 10 years expired, rated at 80ASA • Arri 435ES • Atlas Orion anamorphic • • • #shortfilm #visualessay #mos #kodak #shootfilm #filmsnotdead #super35 #4perf #vision3 #film #35mm #motionpicture #analogue #arri #atlas #lighting #yesfilter #realfilters #flashback #expiredfilm #anamorphic #sad #lensflare #flare #flarejunkie
1 year ago
View on Instagram |
6/6

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